As I’ve said before, no matter what the production, I always find something enjoyable about seeing Shakespeare in the Park. I find it satisfying to actually get tickets after putting in the time, i.e., devoting most of the day to it. Also, it’s so lovely in Central Park. I didn’t know what to expect from The Bacchae. Jonathan Groff as Dionysus worked for me. I think the appeal for me is he reminds me of Tom Chaplin from Keane. I actually saw him in Spring Awakening. I liked his energy and the enthusiasm of the cast but was underwhelmed by the show. It had too much hype by the time I saw it I think and I was expecting to have a life-altering experience. Yes, my expectations were much too high because I know the show was good, even great, but I thought it would be astounding. I will have to take another listen to the music. I enjoyed him in Hair last summer but didn’t really take notice until The Bacchae. The show is ambitious. It tries to modernize the setting but then wants to evoke the original time of Euripedes. The production is reminiscent of a Wooster Group undertaking and I commend The Public for taking a stab at trying to stage this. I think that Woody Allen was more successful in incorporating a Greek chorus in Mighty Aphrodite. It had comedy, drama and tragedy. That was what was missing from The Bacchae. It is a tragedy but it didn’t have to take itself so seriously. It wasn’t exactly inaccessible but it toed the line a little too closely. I think the beauty of Shakespeare in the Park is that it is free and open to everyone. It’s a chance to entertain. If I want to see a Wooster Group type production, I will pay to see the Wooster Group. Hey, I pay to see other more experimental Public Theater productions during the year at the Public Theater. So, I guess when I go see Shakespeare in the Park, while I don’t need to see a disco version of Two Gentlemen of Verona (sorry for not being more appreciative), I want something that feels organic and not too stage-y and distanced from the audience. Even though Brecht is not considered a pop playwright, the Public put on a good production of Mother Courage (starring the amazing Meryl Streep) for Shakespeare in the Park a few years back. I greatly enjoyed Twelfth Night just a couple of months ago. I guess since it’s a comedy, it had an edge already. Let me think of another example, Romeo and Juliet worked well. I don’t know. I guess there is a balance. Hair was accessible and enjoyable. I’m not sure if I’m making my point. I appreciated the idea of The Bacchae and some of the performances were standouts, some of the staging, some of the dancing, etc. also worked but it didn’t completely gel in the end FOR ME. This is a subjective review. But my (musical) theater crush on Jonathan Groff has grown.
EDIT: I suddenly realized I didn’t even comment on the Philip Glass music which he wrote specifically for this production of The Bacchae. It was okay. Not surprisingly, I liked it best when Dionysus/Jonathan Groff sang. It was signature Glass. Think of anything you’ve heard by him and you can hear the triplets start in your head. It wasn’t as distracting as I thought it might be. Apparently he and the director used to be married. END EDIT
District 9
By this point, most people who were interested in seeing District 9 have done so. Everyone else will probably take a pass. I thought it was a really interesting alien movie. Yes, the apartheid allegory is hardly an allegory; it’s completely on the surface, hitting us over the head. However, I really was able to watch the movie from a sci-fi point of view. I am keeping in mind that the genre of science fiction always has metaphors and allegories about humankind interacting with one another and with the environment. But it’s possible to think about aliens from outer space landing by accident in South Africa and being treated like dirt. From this point of view, I thought District 9 was fast-paced, had great effects, looked amazing for a low budget (though I can’t believe $30 million is considered low budget now) and hooked me right away. Neill Blomkamp made an impressive debut feature. To my highly undiscerning ear, Sharlto Copley/Wikus Van De Merwe kept reminding me of Jonah on Summer Heights High. I know Jonah’s accent is Tongan-as-raised-in-Australia. But I did keep thinking Wikus might say something Johah-esque. As for the whole hate-on-Armond-White campaign as documented at Rotten Tomatoes, I love Armond White’s presence in the film critic community. He keeps me entertained and on my toes. He says extreme things but he’s an intelligent viewer. Sure, he is disparaging to all who disagree with even one detail of his reviews, but he is a smart guy who is passionate about film. I always have time to read an Armond White review though I will most likely walk away feeling kind of insulted.
Ponyo
Ponyo or Ponyo on the Cliff is a classic Hayao Miyazaki movie. It’s beautiful animated, it’s weirdly populated by magical creatures and cute kids, adults with slightly goofy and irreverent idiosyncracies you would never see in an American movie (like a mother who pops open a beer in frustration when her sea-faring husband cancels on a family dinner) and has a strong “do unto the environment as you would have it do unto you” message. It’s unclear why a little fish falls for a little boy so strongly and with what understanding, that they will be siblings? That they will be a couple when they are older? But the fantasy is engaging and the oddness makes it interesting to watch.
Julie and Julia
I read Julie and Julia when it came out. I’m a sucker for non-fictional food-related books like all of the Ruth Reichl books. So I picked up Julie and Julia with interest. It was a decent read but I never imagined it would become a movie. I think it was inspired to rely on Julia Child’s memoir as a source in addition to Julie and Julia to make the book. The resulting movie is a charming, inspirational and intriguing depiction of Julia Child’s development as a master chef and a so-so depiction of Julie Powell’s blogging about her Julia Child’s inspired cooking endeavor. Meryl Streep is a star who actually makes you forget she is Meryl Streep.
Inglourious Basterds
I haven’t seen Inglourious Basterds yet but I am looking forward to it. A fellow Pop Culture Addict said it is very dialogue-oriented and that it feels like Quentin Tarantino might have outgrown the over-the-top action/explicit violence that has become his trademark. Actually, I think of his trademark as a combo of extreme violence and well-written dialogue. I heard Brad Pitt’s role is quite minor and that other non-American actors stand out.
Top Chef, Project Runway
As I write, I am behind on Top Chef Masters though I know Rick Bayless won. There is already well-deserved hype and wait for reservations at his restaurants in Chicago which will be serving the winning menu for a short time. I enjoyed reading his blog and the blogs on the Top Chef Masters site. There is a sneak preview of Top Chef Las Vegas on this afternoon I might watch. Also, I have not watched Project Runway diligently at all. I’ve only seen the last few episodes of the last season in fact. But it was enough to peak my interest for this season. I appreciate that the contestants are actually talented so it’s a matter of tapping into that talent and seeing how it melds with pressure and innovation for the challenges. I watched the Top 8 run off and the first ep of the new LA season. Tim Gunn is a reality fashion god. I love his style, his interpersonal skills and his role as mentor. Heidi Klum always looks fantastic. Michael Kors says the most insightful things I would never think of. I don’t consider myself stylish at all. I aim to look cute/presentable/nice/inoffensive enough and that’s about it. And I don’t always succeed. But I find it endlessly fascinating to see how creativity works in all artistic feats and facets so I’m looking forward to watching a season of Project Runway from start to finish.
The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows
Yes, sometimes I take forever to read one book (like A Fine Balance by R. Mistry). Sometimes I re-read a book for the umpteenth time (Harry Potter and the Deathly Hallows by JK Rowling). Sometimes I find myself with just enough time and energy to re-read something like The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows. This is what happened to me yesterday. I picked it up and could not put it down even though I knew where it was going. It’s interesting because it has the historical, WWII element to it but it also weaves personal stories of appealing characters who formed and form the most unexpected bonds. Now I’m reading the latest No 1 Ladies Detective Agency book entitled…I have to look it up…Tea Time for the Traditionally Built: The New No. 1 Ladies’ Detective Agency Novel by Alexander McCall Smith. I really liked the HBO series and it re-sparked my interest in the books. I also have New Moon by Stephenie Meyer, aka the second in the Twilight series, ready at hand.


