These are words I never thought I’d utter. Okay, maybe “love” is an overstatement. I like Metallica. Even these are words I am surprised to say. And to be more specific, this is my reaction to Metallica: Some Kind of Monster, the dvd edition. To be honest, I still don’t really know their music that well but what appeals to me about them is their attitude. I like them for allowing themselves to be documented in an honest and open way. I like them for not taking themselves too seriously. I like them for loving what they do. And it’s cool to see that they are good. It’s not that before seeing the movie I thought they were untalented. They just didn’t register on my radar because of what draws me in musically. But like you, I try to keep my eyes and ears open because you never know what will grab your attention at any given moment.
My original response to the movie from when I saw it last summer (7/04) is here: Metallica: Some Kind of Monster. And I wrote some other stuff in the mini-blog: SKOM thoughts.
There are two commentary tracks and both are worth listening to: the band commentary and the film makers’ commentary. More on this in a moment.
On Napster
I’m sure diehard fans know all this but for someone on the other side, to hear Lars react to his Napster footage makes him more sympathetic re: this issue. He says in the film it wasn’t his goal to become the most hated figure in rock. In one of the Q&A’s he said it all started from a brief phone call in which someone called him about how something they had just recorded and wasn’t even out yet had been made available on Napster. He said it was about control over their material. And their reaction to it became construed as an anti-fan sentiment. Kirk, who is normally less talkative, steps up and supports Lars saying despite all the controversy and anger towards them, their stance hasn’t changed.
I guess Lars’ reaction was the quickest and strongest because he is most involved in the business end of the band. It’s a tricky line because if you think about fans trading music for free without giving royalties to the band, but then consider that these fans will shell out millions to go to the concerts, buy the t-shirts, see this movie and even buy the albums, then isn’t that a trade-off? There are artists, I think Jason Mraz is one of them, who says, feel free to record my concerts but please don’t charge anyone money for the footage or recordings. Just keep them for personal enjoyment and trading with fellow fans.
Going with the theme of this site, imagine if someone you didn’t know got a hold of and then posted part of your results section of your dissertation online mid-analysis. That’s not right. It’s your work. You obviously didn’t feel ready to publish it yet because you would’ve turned it in already if you did. So it’s that feeling of someone taking your stuff without your knowledge and showing it to people without your permission. I mean, now that I’m done (with my results section and everything else), obviously, I’m fine with people seeing what I did.
Anyway, let’s not get hung up this. Next…
On Phil Towle, the therapist
Hearing the film makers express their gratitude to him makes me feel like he was better than he appears in the film. As I said before, it’s clear Phil Towle is well-meaning. He thinks he can help Metallica mend themselves and he wants to help them. And more importantly, one by one, Lars, Kirk and eventually (after a 6 months in rehab) James, believe it and want it. That’s what makes it work. Joe Berlinger and Bruce Sinofsky talk about the rift between them during the filming of this caused by Joe Berlinger having gone off on his own to do Blair Witch 2. They have a long-time partnership and they said Phil Towle helped them find a way to keep working together.
More on the DVD Extras
In the commentaries and extras, it’s cool to hear the band members cringe at how fat they look or how funny their hair looks, etc. It’s very humanizing and makes them interesting and real. At one point, Lars says how he’s a little bit desensitized because James says, what does it feel like to watch yourself onscreen with your father? And Lars says, I’ve seen this so many times now, it almost feels like I’m watching 2 characters on screen, not real people. But in a way, that’s a defense mechanism and a functional one at that. If he kept feeling all the emotions he felt the first time every time he viewed it, it would be distracting and maybe overwhelming. Anyway, it’s fun to hear the band reminisce.
They have a hard time with the Jason Newsted footage. I think not enough time has passed for the band to be objective. That’s perfectly understandable. But the film makers thank him for being available for the film despite the fact that he left Metallica, and upon consideration, as a viewer, it is cool that Jason Newsted agreed to be interviewed for the movie, knowing how the rest of the band probably felt towards him at that point. And what really comes out is the fact that the band never got over the death of original bassist Cliff Burton who they had known since they were teenagers. Imagine the pain they were carrying around. And though through Monday morning quarterbacking we can say, obviously, Cliff Burton’s death had a huge impact on the psyche of Metallica as a whole and individually on the members, let’s allow that people are more complicated than that kind of 30-second analysis and go on.
If you’re a fan, you’ve already heard about the fascinating scene with Dave Mustaine, the lead guitarist who was kicked out of Metallica way back when. Again, it’s honest and touching. And Lars says they had spoken on the phone before filming the scene and had something of a relationship. But what Dave Mustaine says to him in the context of trying to work out past conflicts, is still news to him and to James (after the fact). Unfortunately, it seems Dave Mustaine found the process too painful. This is me editorializing. I think he felt too exposed. The film makers say that once the movie came out, Dave Mustaine called it “Some Kind of B.S.” and refused to let them use any Megadeth footage in it.
There is a fantastic deleted scene showing producer Swizz Beatz working with producer Bob Rock in the studio piecing together what eventually became a Ja Rule/Metallica joint um… I think it was called We Did It Again. I can see why it was cut from the final film. It would’ve cut the flow of the story. But being privy to the creative process is very cool. It made me respect the talent of Swizz Beatz. And it’s very interesting to learn that pre-rehab, James had firmly expressed his dislike of hip hop. Yet, in his absence, the band proceeds with this project. Hm. No word on James’ reaction to the end product.
Just a couple of more observations:
Another great deleted scene, definitely better cut from the film but perfect as a dvd extra, depicts the process by which the band and the film makers decided whether or not to press forward with the film upon James’ return from rehab. Basically what changed James’ mind was viewing 20 minutes of the film in progress. It would’ve been too jarring to see it within the film but to see it afterwards is cool. You see the reactions of Lars, Kirk and James as they see the footage for the first time. Amazing the trust they had in the film makers.
One last thought… I would’ve enjoyed having MTV’s Icon: Metallica show as a dvd extra because they talk about it in the film. I didn’t watch it originally because I didn’t care. But after viewing SKOM, I totally care and short of going to the Museum of Television and Radio archives, I don’t have easy access to it. But, it must’ve been a Viacom/financial issue. The band foot the entire bill of the movie and rights to an MTV production most likely costs a pretty penny.
So, initially, I thought the film ran a bit long, as I typically do, but upon second viewing, I thought it was just right. And when I first read about the 10 hours or so of footage on the dvd, I thought, yikes. But they did a good job of including interesting stuff. I still stand behind my recommendation of the film as a form of entertainment and as a source of creative inspiration.
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