After people started yelling, “Elvis!” in the middle of Sondre’s set, I immediately felt guilty for any negative vibing I ever did towards an opening act. It is a tough place to be. But he was gracious and just said, “No, my name is Sondre Lerche.” And he gave due respect to Elvis throughout his set.
On the gold electric guitar he used on his last tour:
1) Days That Are Over – as noted, it sounded like he was on a mission with uncharacteristic in-your-face guitar-playing accompanying his trademark melodious vocals; then he introduced himself formally: “My name is Sondre Lerche (son-drah lair-kay)…” and some more stuff about how he would entertain us until Elvis Costello came out.
2) Dead Passengers
3) Track You Down – prefaced with a story about how 2 years ago in January, he woke up from this intense dream that inspired him to write this song.
He switched to his blue guitar with the blue-starred guitar strap:
4) You Know So Well
5) Wet Ground
a capella:
6) Moonlight Becomes You – prefacing it with him picking out the opening note on his guitar and telling us, “I don’t know how to play this on guitar but I love singing this song so let me just sing it for you.” Then much to my surprise, the lil firecracker threw his water bottle to the side – really Pete-Townshended the thing (if Pete Townshend bashed water bottles) and went straight into the next song.
Back to his gold guitar:
7) Sleep On Needles – Then he gave his promo speech directing us to his “merch table” where we could get his cds or concert tee. He said he wanted to spell out his name for us because clearly we already knew Elvis Costello’s name. And he told us he’d play one more song before we heard, “The best show of our life,” meaning Elvis. What a gentleman. Let me interject here that while I have long admired Elvis Costello, I was somewhat surprised he didn’t thank his opening act, i.e., Sondre Lerche.
Two Way Monologue
The people behind us talked about how Sondre looked like Ed Norton, which is innocuous enough. But when Sondre said, I have one more song, someone said, “thank god.” Grr. No respect.
So, while there were moments when I was like, I can’t believe I’m finally hearing Elvis Costello play live after being a fan for so long, I must admit that my primary objective was to support Sondre Lerche. His music really is worth seeking out. I enjoyed hearing a different approach to his music but he didn’t really flex his virtuosity on guitar in this show because he was playing so hard (we definitely caught the flavor of his skills though). But it was interesting to see how he is working hard to get his name out there. I guess it’s to his advantage that he’s still young, full of enthusiasm with amazing depths of talent. I didn’t even feel suckered when I was moved to get yet another Sondre Lerche t-shirt – same design but different color (yes, I doctored the collar a wee bit).

