
The first one was so unexpected and and underdoggedly funny. It successfully did what the excellent Aliens in America does – entertains us and makes its points about tolerance. It left me wanting to see what happened next immediately. Instead, we had to wait 4 years. But you know what, Harold & Kumar Escape from Guantanamo Bay sustains the magic of the first one but explores a different direction – just to keep our (and that of everyone involved) interest up. Harold and Kumar 2 is way more over the top and fantastical. If you want realism, Harold & Kumar Go to White Castle actually has it. H&K 2 just decides to throw realism to the wind and go into the land of Zucker, Abrahams & Zucker of Airplane and Top Secret fame. Some of it worked better than other parts. But the characters are still appealing and funny though the humor remains very male-centric. It was one of those rare movies where the line at the men’s room was out the door while the women’s room barely had anyone in it. The last time I remember that happening was at the Hong Kong movie festival in the Village.

I’m such a fan of 30 Rock. It is sublime. It is accessible. It is everything I want in a half hour comedy. Baby Mama was cute enough. Despite having seen the trailer and ads many times, I managed to be surprised by some twists and turns. There were a surprising number of kids at the show I attended. I guess baby surrogacy is more kid-friendly than I thought. Or there is a dearth of kid-friendly movies out there. Speaking of which, I still want to see The Forbidden Kingdom and I look forward to Sisterhood of the Traveling Pants 2.
The Little Flower of East Orange
Went to the Public Theater to see The Little Flower of East Orange. It is by Stephen Adly Guirgis and directed by Philip Seymour Hoffman starring Ellen Burstyn. Interesting. Michael Shannon was good. I liked him much better than in Bug. I think I just wasn’t that into the movie (Bug) (didn’t see the play). It was a little too nail on the head for me or something. I don’t know. The sister, Elizabeth Canavan, was good too. All of the actors were into it. For me, it took a while to get into the rhythm of the play – especially the hospital part which is most of it. But then it got interesting enough. And it was on the short side (about 2 hours vs the typical 3) so I managed to get through without taking a culture nap. [This is a term I just coined. It means a catnap taken during a cultural event whether it be a movie, play or concert - typically classical. I happen to be a pro at it! Its occurrence in no way reflects the quality of the event. It just means I was tired. Or the conditions were right for a nap. I'm sure there are others out there who know what I'm talking about! Feel free to use it. As in, "The move was good but I took a culture nap so I missed the pivotal reconciliation scene."]
LOST
Lost is so good. If, as a fan, you left last season, you should come back because the writers and actors are really stepping it up. Ben is so good at being creepy. People are saying it and I have to jump on this bandwagon Michael Emerson totally deserves recognition for his incredible acting on this show! Also, though not Ben-centric, The Constant was still the best episode ever as I (and many other fans) have noted. I can’t imagine how this season is going to end. I read somewhere that the ending will make us viewers wonder how the show will flash-forward or backwards again! What could that mean? I’m so excited to find out! I only recently started reading Doc Jensen’s Lost commentary at ew.com. Fun stuff. I also read Watch With Kristin’s Lost Re-dux every week and the tvguide.com Lost blog. Occasionally I will stray and read more fanboy/fangirl stuff but once we get into easter eggs, then I start to feel guilty. And I try to live a guilt-free existence! But the writers really know how to make you want to know everything there is to know about the show and speculate and speculate and speculate!








